Is the fingering of thirds flexible or do I have to follow the rules?Right-hand fingering for D7/F♯Could...
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Is the fingering of thirds flexible or do I have to follow the rules?
Right-hand fingering for D7/F♯Could you please advise some piano scores and exercises for extreme finger stretch for a middle-size hand?Learning Scales, should I initially focus on thirds and sixths as well?Horizontal bar in trill fingering3-4-3-4 fingering in BMV994Piano Fingering for JazzIs there a reason not to play A/C# as x42225?What is the proper piano fingering for playing scales in thirds?How should I position fingers 1 and 5 in these preparatory exercises from Cortot?Are there specific injury concerns I should watch out for with piano tremolo exercises?
In the exercises of thirds instead of playing it 1/3 2/4 3/5 can I play it 1/3 2/4 1/5 or it's not advisable? It's really hard for me to raise the fourth finger when going to play 3/5; are there exercises for that part to make you easily move from 2/4 to 3/5 smoothly and legato?
I'm new to piano, so I apologize if this is a silly question.
piano fingering physical-limitations
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In the exercises of thirds instead of playing it 1/3 2/4 3/5 can I play it 1/3 2/4 1/5 or it's not advisable? It's really hard for me to raise the fourth finger when going to play 3/5; are there exercises for that part to make you easily move from 2/4 to 3/5 smoothly and legato?
I'm new to piano, so I apologize if this is a silly question.
piano fingering physical-limitations
New contributor
Abdallah Hamdi is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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2
Are you trying to play just the first three, or a complete octave? Fingering for anything is not sacrosanct - you must use what you are comfortable with.THERE ARE NO RULES!!!
– Tim
3 hours ago
When I sat the first time on a drawbar I wonderd how I could play the sixth tone of the doremi as I had only five fingers. Was I alloud to move my pinky finger from g to a?
– Albrecht Hügli
30 mins ago
add a comment |
In the exercises of thirds instead of playing it 1/3 2/4 3/5 can I play it 1/3 2/4 1/5 or it's not advisable? It's really hard for me to raise the fourth finger when going to play 3/5; are there exercises for that part to make you easily move from 2/4 to 3/5 smoothly and legato?
I'm new to piano, so I apologize if this is a silly question.
piano fingering physical-limitations
New contributor
Abdallah Hamdi is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
In the exercises of thirds instead of playing it 1/3 2/4 3/5 can I play it 1/3 2/4 1/5 or it's not advisable? It's really hard for me to raise the fourth finger when going to play 3/5; are there exercises for that part to make you easily move from 2/4 to 3/5 smoothly and legato?
I'm new to piano, so I apologize if this is a silly question.
piano fingering physical-limitations
piano fingering physical-limitations
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Abdallah Hamdi is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
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edited 4 hours ago
David Bowling
4,54421336
4,54421336
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asked 4 hours ago
Abdallah HamdiAbdallah Hamdi
62
62
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2
Are you trying to play just the first three, or a complete octave? Fingering for anything is not sacrosanct - you must use what you are comfortable with.THERE ARE NO RULES!!!
– Tim
3 hours ago
When I sat the first time on a drawbar I wonderd how I could play the sixth tone of the doremi as I had only five fingers. Was I alloud to move my pinky finger from g to a?
– Albrecht Hügli
30 mins ago
add a comment |
2
Are you trying to play just the first three, or a complete octave? Fingering for anything is not sacrosanct - you must use what you are comfortable with.THERE ARE NO RULES!!!
– Tim
3 hours ago
When I sat the first time on a drawbar I wonderd how I could play the sixth tone of the doremi as I had only five fingers. Was I alloud to move my pinky finger from g to a?
– Albrecht Hügli
30 mins ago
2
2
Are you trying to play just the first three, or a complete octave? Fingering for anything is not sacrosanct - you must use what you are comfortable with.THERE ARE NO RULES!!!
– Tim
3 hours ago
Are you trying to play just the first three, or a complete octave? Fingering for anything is not sacrosanct - you must use what you are comfortable with.THERE ARE NO RULES!!!
– Tim
3 hours ago
When I sat the first time on a drawbar I wonderd how I could play the sixth tone of the doremi as I had only five fingers. Was I alloud to move my pinky finger from g to a?
– Albrecht Hügli
30 mins ago
When I sat the first time on a drawbar I wonderd how I could play the sixth tone of the doremi as I had only five fingers. Was I alloud to move my pinky finger from g to a?
– Albrecht Hügli
30 mins ago
add a comment |
4 Answers
4
active
oldest
votes
Whatever you are playing on piano, it is important to plan out the fingering so that you get the articulation you want and are able to get to what follows easily. The exact fingering is going to be dependent on the context of the piece, in combination with what works for your hand. It is advisable to try out different fingering options to decide what is best.
add a comment |
All fingering is flexible!
BUT, in a passage of 3rds, confined to the '5-finger position' you need a pretty good reason NOT to use 1-3, 2-4, 3-5. And 'I'm a beginner, and I find it hard to lift my 4th finger' isn't a good reason!
It sounds as if you're playing an exercise that covers that problem already! Stick with it. Check with your teacher that your arm, hand and finger positions are correct.
add a comment |
Take a look here as an example - Chopin, Etude #6 gis-moll. This is just a reference, there are a couple of ways, I think Liszt had his own way. As another reference, you can take a look at Czerny's 'The Art of Finger Dexterity', op 740 #10
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merinoff is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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Carl Philip Emanuel Bach offers always different fingersettings and if he didn’t ... I would! Because I think the purpose to be be able to play a piece in a comfortable way and enjoy playing is as important to train the independence of each finger. Not every piano player has the aim to become a professional pianist. The joy of making music should be in a positive balance with finger training.
add a comment |
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4 Answers
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4 Answers
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Whatever you are playing on piano, it is important to plan out the fingering so that you get the articulation you want and are able to get to what follows easily. The exact fingering is going to be dependent on the context of the piece, in combination with what works for your hand. It is advisable to try out different fingering options to decide what is best.
add a comment |
Whatever you are playing on piano, it is important to plan out the fingering so that you get the articulation you want and are able to get to what follows easily. The exact fingering is going to be dependent on the context of the piece, in combination with what works for your hand. It is advisable to try out different fingering options to decide what is best.
add a comment |
Whatever you are playing on piano, it is important to plan out the fingering so that you get the articulation you want and are able to get to what follows easily. The exact fingering is going to be dependent on the context of the piece, in combination with what works for your hand. It is advisable to try out different fingering options to decide what is best.
Whatever you are playing on piano, it is important to plan out the fingering so that you get the articulation you want and are able to get to what follows easily. The exact fingering is going to be dependent on the context of the piece, in combination with what works for your hand. It is advisable to try out different fingering options to decide what is best.
answered 2 hours ago
Heather S.Heather S.
3,7911421
3,7911421
add a comment |
add a comment |
All fingering is flexible!
BUT, in a passage of 3rds, confined to the '5-finger position' you need a pretty good reason NOT to use 1-3, 2-4, 3-5. And 'I'm a beginner, and I find it hard to lift my 4th finger' isn't a good reason!
It sounds as if you're playing an exercise that covers that problem already! Stick with it. Check with your teacher that your arm, hand and finger positions are correct.
add a comment |
All fingering is flexible!
BUT, in a passage of 3rds, confined to the '5-finger position' you need a pretty good reason NOT to use 1-3, 2-4, 3-5. And 'I'm a beginner, and I find it hard to lift my 4th finger' isn't a good reason!
It sounds as if you're playing an exercise that covers that problem already! Stick with it. Check with your teacher that your arm, hand and finger positions are correct.
add a comment |
All fingering is flexible!
BUT, in a passage of 3rds, confined to the '5-finger position' you need a pretty good reason NOT to use 1-3, 2-4, 3-5. And 'I'm a beginner, and I find it hard to lift my 4th finger' isn't a good reason!
It sounds as if you're playing an exercise that covers that problem already! Stick with it. Check with your teacher that your arm, hand and finger positions are correct.
All fingering is flexible!
BUT, in a passage of 3rds, confined to the '5-finger position' you need a pretty good reason NOT to use 1-3, 2-4, 3-5. And 'I'm a beginner, and I find it hard to lift my 4th finger' isn't a good reason!
It sounds as if you're playing an exercise that covers that problem already! Stick with it. Check with your teacher that your arm, hand and finger positions are correct.
answered 51 mins ago
Laurence PayneLaurence Payne
34.7k1665
34.7k1665
add a comment |
add a comment |
Take a look here as an example - Chopin, Etude #6 gis-moll. This is just a reference, there are a couple of ways, I think Liszt had his own way. As another reference, you can take a look at Czerny's 'The Art of Finger Dexterity', op 740 #10
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merinoff is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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add a comment |
Take a look here as an example - Chopin, Etude #6 gis-moll. This is just a reference, there are a couple of ways, I think Liszt had his own way. As another reference, you can take a look at Czerny's 'The Art of Finger Dexterity', op 740 #10
New contributor
merinoff is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
Take a look here as an example - Chopin, Etude #6 gis-moll. This is just a reference, there are a couple of ways, I think Liszt had his own way. As another reference, you can take a look at Czerny's 'The Art of Finger Dexterity', op 740 #10
New contributor
merinoff is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Take a look here as an example - Chopin, Etude #6 gis-moll. This is just a reference, there are a couple of ways, I think Liszt had his own way. As another reference, you can take a look at Czerny's 'The Art of Finger Dexterity', op 740 #10
New contributor
merinoff is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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merinoff is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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answered 2 hours ago
merinoffmerinoff
263
263
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add a comment |
add a comment |
Carl Philip Emanuel Bach offers always different fingersettings and if he didn’t ... I would! Because I think the purpose to be be able to play a piece in a comfortable way and enjoy playing is as important to train the independence of each finger. Not every piano player has the aim to become a professional pianist. The joy of making music should be in a positive balance with finger training.
add a comment |
Carl Philip Emanuel Bach offers always different fingersettings and if he didn’t ... I would! Because I think the purpose to be be able to play a piece in a comfortable way and enjoy playing is as important to train the independence of each finger. Not every piano player has the aim to become a professional pianist. The joy of making music should be in a positive balance with finger training.
add a comment |
Carl Philip Emanuel Bach offers always different fingersettings and if he didn’t ... I would! Because I think the purpose to be be able to play a piece in a comfortable way and enjoy playing is as important to train the independence of each finger. Not every piano player has the aim to become a professional pianist. The joy of making music should be in a positive balance with finger training.
Carl Philip Emanuel Bach offers always different fingersettings and if he didn’t ... I would! Because I think the purpose to be be able to play a piece in a comfortable way and enjoy playing is as important to train the independence of each finger. Not every piano player has the aim to become a professional pianist. The joy of making music should be in a positive balance with finger training.
answered 34 mins ago
Albrecht HügliAlbrecht Hügli
2,436220
2,436220
add a comment |
add a comment |
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2
Are you trying to play just the first three, or a complete octave? Fingering for anything is not sacrosanct - you must use what you are comfortable with.THERE ARE NO RULES!!!
– Tim
3 hours ago
When I sat the first time on a drawbar I wonderd how I could play the sixth tone of the doremi as I had only five fingers. Was I alloud to move my pinky finger from g to a?
– Albrecht Hügli
30 mins ago